Tribeca 2025 Interview: Ole Juncker on Finding Art in the Deal in “Take the Money and Run”
The director talks about accompanying the renegade artist Jens Haaning through a turbulent time following one of his most provocative works.
Tribeca 2025 Review: Peter Hall & Paul Gandersman’s Eerie Mystery “Man Finds Tape” Gives Pause
A pair of siblings are torn as to what to make of a surveillance video in this smart, sophisticated horror film made for modern audiences.
Tribeca 2025 Interview: Nora Kirkpatrick on Making Some Noise with “A Tree Fell in the Woods”
The filmmaker discusses bringing together Josh Gad, Alexandra Daddario, Daveed Diggs and Ashley Park for a New Year's they'll never forget.
Tribeca 2025 Review: Alison Ellwood Won’t Let Fame Get in the Way of Studying Group Dynamics in “Boy George & Culture Club”
A portrait of the '80s pop phenomenon considers how the stars aligned for success but having one shine particularly bright led to burnout.
Tribeca 2025 Interview: Akbar Hamid and Harris Doran on Putting on Their Best Face for “Poreless”
The director and star talk about their comedic short involving a skincare entrepreneur who comes to realize he's concealed too much.
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Tribeca 2025 Review: Rose Byrne Tugs on the Heart with the Touching Drama “Tow”
Comedy and tragedy live side by side in the true story of Amanda Ogle whose fight to get her car back shows the precarity of modern life.
Tribeca 2025 Review: Scott Gracheff’s Engrossing “How Dark My Love” Offers a Complex Portrait of True Love
Underground artist Joe Coleman gets a true celebration of his life after bringing out the multitudes in others' in this delightful doc.
Tribeca 2025 Review: Meeting Each Other Halfway Leads to a Whole Lot of Fun in Michael J. Weithorn’s “The Best You Can”
A stellar Kevin Bacon and Kyra Sedgwick team up on screen for the first time in two decades in this touching comedy where opposites attract.
