Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: Love is Its Own Form of Alienation in Zach Clark’s “The Becomers”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: An Itch Can’t Be Scratched in Mary Dauterman’s Still Satisfying “Booger”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: A Chase Takes a Different Direction in John Rosman’s Inventive “New Life”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: “Thank You Very Much” Pins Down the Genius of Andy Kaufman
ReviewsTIFF·2 min readTIFF 2023 Review: The Echoes of Nature Reverberate in Margreth Olin’s Sensational “Songs of Earth”
Reviews·3 min readRed Sea International Film Fest 2023 Review: A Teacher Learns Something About Herself in Iram Parveen Bilal’s Shrewdly Image Conscious “Wakhri (One of a Kind)”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”