Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: A Chase Takes a Different Direction in John Rosman’s Inventive “New Life”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: An Itch Can’t Be Scratched in Mary Dauterman’s Still Satisfying “Booger”
Fantasia FestReviews·2 min readFantasia Fest 2023 Review: Love is Its Own Form of Alienation in Zach Clark’s “The Becomers”
Reviews·3 min readRed Sea International Film Fest 2023 Review: A Teacher Learns Something About Herself in Iram Parveen Bilal’s Shrewdly Image Conscious “Wakhri (One of a Kind)”
ReviewsTIFF·2 min readTIFF 2023 Review: The Echoes of Nature Reverberate in Margreth Olin’s Sensational “Songs of Earth”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2023 Review: “Thank You Very Much” Pins Down the Genius of Andy Kaufman
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”