Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTIFF·2 min readTIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”
ReviewsTIFF·3 min readTIFF ’16 Review: A Feast for the Mind in Sarah Adina Smith’s “Buster’s Mal Heart”
Reviews·2 min readBAMCinemaFest ’16 Review: It All Comes Together in Elisabeth Subrin’s “A Woman, a Part”
ReviewsSeattle Film Festival·2 min readSIFF ’16 Review: Zachary Shedd Visits the Darkest Corners of “Americana”
L.A. Film FestReviews·3 min readLA Film Fest ’16 Review: A Charming Coming-of-Age Story with Legs in “Tracktown”
L.A. Film FestReviews·3 min readLA Film Fest ’16 Review: Amber Tamblyn Makes a Searing Directorial Debut with “Paint It Black”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”