Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Austin Film FestivalReviews·3 min readAustin Film Fest ’16 Review: An Alien Encounter Brings Out a Lively Human Comedy in “Brave New Jersey”
New York Film FestivalReviews·3 min readNY Film Fest ’16 Review: Errol Morris Fashions a Perfect Snapshot in “The B-Side: Elsa Dorfman’s Portrait Photography”
Reviews·3 min readNY Film Fest ’16 Review: Only with Steve James, An Incomprehensible Injustice Adds Up in “Abacus: Small Enough to Jail”
London Film FestivalReviewsUncategorized·2 min readLondon Film Fest ’16 Review: Amma Asante Reimagines “A United Kingdom” Worth Living In
ReviewsTIFFUncategorized·3 min readTIFF ’16 Review: Jim Sheridan’s “The Secret Scripture” is Worth Uncovering
ReviewsTIFF·2 min readTIFF ’16 Review: Raoul Peck Reignites the Discussion Around Race Relations in “I Am Not Your Negro”
ReviewsTIFF·3 min readTIFF ’16 Review: A Feast for the Mind in Sarah Adina Smith’s “Buster’s Mal Heart”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”