Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Interview: Roya Sadat on Watching Women Take a Seat at the Negotiating Table in “The Sharp Edge of Peace”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsTrue/False·2 min readTrue/False ’18 Review: “Shakedown” Strips Down to the Soul of a Community
ReviewsTrue/False·3 min readTrue/False ’18 Review: Khalik Allah’s “Black Mother” Births a New Consciousness
ReviewsSlamdance·2 min readSlamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
ReviewsSlamdance·4 min readSlamdance ’18 Review: Emily Bett Rickards & Matthew Glave Wring Painful Laughs from “Funny Story”
ReviewsSundance·3 min readSundance ’18 Review: Pattinson, Wasikowska Shine in a Lovely Western That Eschews Romance in “Damsel”
ReviewsSundance·2 min readSundance ’18 Review: You’ll Want to Spend “An Evening with Beverly Luff Linn”
ReviewsSundance·4 min readSundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
ReviewsSundance·3 min readSundance ’18 Review: Jeremiah Zagar Tears Up the Coming-Of-Age Formula with the Ferocious “We the Animals”
ReviewsSundance·4 min readSundance ’18 Review: “Minding the Gap” Beautifully Articulates the Space Between Fathers and Sons
ReviewsSundance·2 min readSundance ’18 Review: Hannah Fidell’s “The Long Dumb Road” is One Smart Comedy
ReviewsSundance·3 min readSundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”