December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
January 27, 2022 Slamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”
January 23, 2020 Slamdance 2020 Interview: Lynne Sachs on a Subject Close Enough to Feel Far in “Film About a Father Who”
January 25, 2019 Slamdance ’19 Interview: Melissa Stephens on Going Beneath the Surface with “Finding the Asshole”
February 3, 2018 Slamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
February 1, 2018 Slamdance ’18 Review: Emily Bett Rickards & Matthew Glave Wring Painful Laughs from “Funny Story”
