DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
InterviewsSlamdance·6 min readSlamdance 2023 Interview: Lydia Cornett on Combining Body and Soul in “Fleshwork”
InterviewsSlamdance·9 min readSlamdance 2023 Interview: Kimi Takesue on the Wandering Eye in “Onlookers”
InterviewsSlamdance·9 min readSlamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”
InterviewsSlamdance·11 min readSlamdance 2020 Interview: Lynne Sachs on a Subject Close Enough to Feel Far in “Film About a Father Who”
ReviewsSlamdance·2 min readSlamdance ’19 Review: Addiction Doesn’t Fiddle Around in Ronny Sen’s “Cat Sticks”
Slamdance·5 min readSlamdance ’19 Interview: Melissa Stephens on Going Beneath the Surface with “Finding the Asshole”
ReviewsSlamdance·2 min readSlamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
ReviewsSlamdance·4 min readSlamdance ’18 Review: Emily Bett Rickards & Matthew Glave Wring Painful Laughs from “Funny Story”
InterviewsSlamdance·8 min readSlamdance ’18 Interview: Charlie Birns on Investigating “Human Affairs”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”