May 18, 2026 Cannes 2026 Review: A Dog and Its Owner Share a Restlessness in Dominga Sotomayor’s Gripping “La Perra”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
May 18, 2026 Cannes 2026 Review: A Dog and Its Owner Share a Restlessness in Dominga Sotomayor’s Gripping “La Perra”
May 18, 2026 Cannes 2026 Review: Marine Atlan’s Magnificent Coming-of-Age Drama “La Gradiva” Shows Real Class
May 17, 2026 Cannes 2026 Review: Nicolas Athané and Marco Nguyen’s Out and Out Animated Comedy “Jim Queen” Has Unexpected Muscle
May 17, 2026 Cannes 2026 Review: A Quiet Connection Holds Considerable Power in Yukiko Sode’s “All the Lovers in the Night”
February 22, 2026 Slamdance 2026 Review: A Community Tries to Stay on Track in the Wake of a Train Derailment in Ori Segev and Noah Dixon’s Striking Portrait “The Bulldogs”
February 19, 2026 Slamdance 2026 Interview: Jessica Barr, Sarah Whelden and Kelly Wilcox on Setting Off “The Plan”
January 27, 2022 Slamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”
January 23, 2020 Slamdance 2020 Interview: Lynne Sachs on a Subject Close Enough to Feel Far in “Film About a Father Who”
January 25, 2019 Slamdance ’19 Interview: Melissa Stephens on Going Beneath the Surface with “Finding the Asshole”
February 3, 2018 Slamdance ’18 Review: A Family That Can’t See the Forest for the Trees in the Woodlands-Set Black Comedy “Back at the Staircase”
February 1, 2018 Slamdance ’18 Review: Emily Bett Rickards & Matthew Glave Wring Painful Laughs from “Funny Story”
