Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·2 min readBerlinale 2024 Review: Carlo Sironi’s “My Summer with Irene” Captures a Season of Change
BerlinaleReviews·3 min readBerlinale 2024 Review: A Matriarch Builds a Formidable Sand Castle in “Betânia”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Groundhog Casts a Long Shadow in Roman Bondarchuk’s Sharp Satire “The Editorial Office”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Safe Haven is Where You Least Expect It in Levan Akin’s Compassionate “Crossing”
ReviewsSundance·3 min readSundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
Reviews·3 min readRotterdam 2024 Review: Certain Anxieties Can’t Be Passed Down in Ben Petrie’s Cleverly Chaotic “The Heirloom”
ReviewsSundance·2 min readSundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
ReviewsSundance·2 min readSundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
ReviewsSundance·3 min readSundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”