Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
Reviews·3 min readRotterdam 2024 Review: Certain Anxieties Can’t Be Passed Down in Ben Petrie’s Cleverly Chaotic “The Heirloom”
ReviewsSundance·2 min readSundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
ReviewsSundance·2 min readSundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
ReviewsSundance·3 min readSundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
ReviewsSundance·3 min readSundance 2024 Review: Fear is a Funny Thing in Caroline Lindy’s “Your Monster”
ReviewsSundance·3 min readSundance 2024 Review: A Triumph Is Seen in All its Complexity in Stephen Maing and Brett Story’s “Union”
ReviewsSundance·3 min readSundance 2024 Review: Nathan Silver’s “Between the Temples” Aims for the Heart
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”