December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
December 18, 2024 Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”
December 12, 2024 Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”
September 28, 2020 New York Film Fest 2020 Review: A Fear of Mediocrity is Expressed Masterfully in Chaitanya Tamhane’s “The Disciple”
September 25, 2020 New York Film Fest 2020 Review: A Metropolis That Works for All Takes Work in Frederick Wiseman’s Illuminating “City Hall”
September 21, 2020 New York Film Fest 2020 Review: “MLK/FBI” Interrogates and Demonstrates the Great Power of Images
September 18, 2020 New York Film Fest 2020 Interview: Tayler Montague on Shedding Light on “In Sudden Darkness”
September 17, 2020 New York Film Fest 2020 Review: A Night to Remember in a Forgotten Time in Steve McQueen’s Exuberant “Lovers Rock”
October 9, 2019 New York Film Festival ’19 Review: A Surgeon Operates in a Brave New World in “Born to Be”
October 6, 2019 New York Film Fest ’19 Interview: Kantemir Balagov on Capturing the New Reality of “Beanpole”
October 4, 2019 New York Film Fest ’19 Interview: Joanna Arnow on the Uncertain Ground Between Land and Sea in “Laying Out”
September 29, 2018 New York Film Fest ’18 Interview: Nicole Perlman on Entering a Whole New World with “The Slows”
October 16, 2016 NY Film Fest ’16 Interview: Shirley Abraham & Amit Madheshiya on Transporting Audiences with “The Cinema Travellers”
October 9, 2016 Interview: Dash Shaw on Getting That Floating Feeling of “My Entire High School Sinking Into the Sea”
October 7, 2016 NY Film Fest ’16 Review: Errol Morris Fashions a Perfect Snapshot in “The B-Side: Elsa Dorfman’s Portrait Photography”
