November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
October 8, 2022 NYFF 2022 Interview: Sarah Friedland on Moving Towards a Greater Understanding in “Trust Exercises”
October 7, 2022 NYFF 2022 Review: “All the Beauty and the Bloodshed” Superbly Brings An Artist’s Activism Into Focus
October 3, 2022 NYFF 2022 Review: An Unknown Destination Leads to a Rewarding Journey in Davy Chou’s “Return to Seoul”
September 29, 2022 NYFF 2022 Interview: Ashley McKenzie, Sarah Walker and Ziyin Zheng on Carrying On a Conversation with “Queens of the Qing Dynasty”
October 11, 2020 New York Film Fest 2020 Review: Michelle Pfeiffer and Lucas Hedges Make a Great Escape in Azazel Jacobs’ Irresistible “French Exit”
October 9, 2020 New York Film Fest 2020 Interview: Allison Chhorn on Building a Structure to Withstand Grief in “The Plastic House”
October 8, 2020 New York Film Fest 2020 Interview: Lewie Kloster and Noah Kloster on Reconjuring the Spirit of CBGBs in “Shots in the Dark with David Godlis”
October 7, 2020 New York Film Fest 2020 Review: Yulene Olaizola’s “Tragic Jungle” Goes For a Worthwhile Walk on the Wild Side
October 6, 2020 New York Film Fest 2020 Review: Gianfranco Rosi Sheds Light on The War-Torn Middle East in “Notturno”
October 6, 2020 New York Film Fest 2020 Review: An Officer Comes Under Fire From All Sides in Steve McQueen’s “Red, White and Blue”
October 4, 2020 New York Film Fest 2020 Review: A Fire Can’t Be Extinguished in Dea Kulumbegashvili’s Searing “Beginning”
October 3, 2020 New York Film Fest 2020 Review: The Justice System Goes on Trial in Steve McQueen’s Captivating Court Drama “Mangrove”
