New York Film Festival

October 8, 2022

NYFF 2022 Interview: Sarah Friedland on Moving Towards a Greater Understanding in “Trust Exercises”

October 7, 2022

NYFF 2022 Review: “All the Beauty and the Bloodshed” Superbly Brings An Artist’s Activism Into Focus

October 3, 2022

NYFF 2022 Review: An Unknown Destination Leads to a Rewarding Journey in Davy Chou’s “Return to Seoul”

September 29, 2022

NYFF 2022 Interview: Ashley McKenzie, Sarah Walker and Ziyin Zheng on Carrying On a Conversation with “Queens of the Qing Dynasty”

October 11, 2020

New York Film Fest 2020 Review: Michelle Pfeiffer and Lucas Hedges Make a Great Escape in Azazel Jacobs’ Irresistible “French Exit”

October 9, 2020

New York Film Fest 2020 Interview: Allison Chhorn on Building a Structure to Withstand Grief in “The Plastic House”

October 8, 2020

New York Film Fest 2020 Interview: Lewie Kloster and Noah Kloster on Reconjuring the Spirit of CBGBs in “Shots in the Dark with David Godlis”

October 7, 2020

New York Film Fest 2020 Review: Yulene Olaizola’s “Tragic Jungle” Goes For a Worthwhile Walk on the Wild Side

October 6, 2020

New York Film Fest 2020 Review: Gianfranco Rosi Sheds Light on The War-Torn Middle East in “Notturno”

October 6, 2020

New York Film Fest 2020 Review: An Officer Comes Under Fire From All Sides in Steve McQueen’s “Red, White and Blue”

October 4, 2020

New York Film Fest 2020 Review: A Fire Can’t Be Extinguished in Dea Kulumbegashvili’s Searing “Beginning”

October 3, 2020

New York Film Fest 2020 Review: The Justice System Goes on Trial in Steve McQueen’s Captivating Court Drama “Mangrove”