November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
August 18, 2024 Locarno Film Fest 2024 Review: A Tragedy Has Unexpected Consequences in Laurynas Bareiša’s Inventive “Drowning Dry”
August 17, 2024 Locarno 2024 Review: A Virtuoso Emerges in Marco Tullio Giordana’s Masterful “The Life Apart”
August 15, 2024 Locarno Film Fest 2024 Review: Tato Kotetishvili’s “Holy Electricity” Delivers a Transformative Surge
August 11, 2024 Locarno Film Fest 2024 Review: Courtney Stephens and Callie Hernandez’s Ingenious “Invention” Has a Lot to Process
August 10, 2024 Locarno Film Fest 2024 Review: A Family Is Pulled Apart in Slow Motion in César Díaz’s Compelling “Mexico 86”
August 10, 2024 Locarno Film Fest 2024 Review: A Grim Start Leads to Lotfi Achour’s Rewarding “Red Path”
August 10, 2024 Locarno Film Fest 2024 Review: Ramon Zürcher’s Family Drama “The Sparrow in the Chimney” Gets On Like a House on Fire
August 8, 2024 Locarno Film Fest 2024 Review: A Life Spent Plotting Out Every Detail Becomes a Crime in Christoph Hochhäusler’s “Death Will Come”
August 8, 2024 Locarno Film Fest 2024 Review: A Mother Attempts to Write Herself Out of a Corner in “Salve Maria”
