May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
May 13, 2025 L.A. Asian Pacific Film Festival Interview: Alika Maikau Tengan on Rewriting the Rules of the Road in “Molokaʻi Bound”
May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
May 13, 2025 L.A. Asian Pacific Film Festival Interview: Alika Maikau Tengan on Rewriting the Rules of the Road in “Molokaʻi Bound”
June 1, 2020 Hot Docs 2020 Review: A Threat of Guns in Schools Leads to Other Triggers in Todd Chandler’s Brilliant “Bulletproof”
May 31, 2020 Hot Docs 2020 Review: Anthony Banua-Simon Lights Up a History of Exploitation in Hawaii in “Cane Fire”
May 29, 2020 Hot Docs 2020 Interview: Dia Sokol Savage on How a Little Kindness Makes a Big Impact in “Welcome Strangers”
May 28, 2020 Hot Docs 2020 Review: A Movement Comes Together in Aideen Kane, Lucy Kennedy, Maeve O’Boyle’s Electrifying “The 8th”
May 28, 2020 Hot Docs 2020 Review: The Aftermath of Sexual Abuse is Seen Through a Unique Lens in Tone Grøttjord-Glenne’s “All That I Am”
May 27, 2020 Hot Docs 2020 Review: A Daughter Uncovers What Her Mother Left Behind in Judith Helfand’s “Love and Stuff”
May 27, 2020 Hot Docs 2020: Cara Holmes on a Dance of Defiance with “Welcome to a Bright White Limbo”