December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
June 1, 2020 Hot Docs 2020 Review: A Threat of Guns in Schools Leads to Other Triggers in Todd Chandler’s Brilliant “Bulletproof”
May 31, 2020 Hot Docs 2020 Review: Anthony Banua-Simon Lights Up a History of Exploitation in Hawaii in “Cane Fire”
May 29, 2020 Hot Docs 2020 Interview: Dia Sokol Savage on How a Little Kindness Makes a Big Impact in “Welcome Strangers”
May 28, 2020 Hot Docs 2020 Review: A Movement Comes Together in Aideen Kane, Lucy Kennedy, Maeve O’Boyle’s Electrifying “The 8th”
May 28, 2020 Hot Docs 2020 Review: The Aftermath of Sexual Abuse is Seen Through a Unique Lens in Tone Grøttjord-Glenne’s “All That I Am”
May 27, 2020 Hot Docs 2020 Review: A Daughter Uncovers What Her Mother Left Behind in Judith Helfand’s “Love and Stuff”
May 27, 2020 Hot Docs 2020: Cara Holmes on a Dance of Defiance with “Welcome to a Bright White Limbo”