April 25, 2025 Constance Tsang and Ke-Xi Wu on Imagining What’s Beyond the Horizon in “Blue Sun Palace”
April 24, 2025 Matt Winn on the Tragedy Plus Time That Added Up to the Dark Comedy “The Trouble With Jessica”
April 25, 2025 Constance Tsang and Ke-Xi Wu on Imagining What’s Beyond the Horizon in “Blue Sun Palace”
April 24, 2025 Matt Winn on the Tragedy Plus Time That Added Up to the Dark Comedy “The Trouble With Jessica”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 14, 2023 DOC NYC 2023 Interview: Molly O’Brien on Playing All the Way to the Back of the House in “The Only Girl in the Orchestra”
November 14, 2023 DOC NYC 2023 Review: A Life Becomes a Work of Art in Lea Glob’s “Apolonia, Apolonia”
November 14, 2023 DOC NYC 2023 Interview: Ruth Leitman on Giving Audiences the Right to Laugh Along with a Right to Choose in “No One Asked You”
November 12, 2023 DOC NYC 2023 Review: “Uncropped” Leaves Nothing Out of the Frame in a Captivating Portrait of Photographer James Hamilton
November 12, 2023 DOC NYC 2023 Review: “Shari and Lamb Chop” Celebrates a Puppeteer Who Didn’t Always Have the Upper Hand
November 12, 2023 DOC NYC 2023 Review: “Anselm” Brings a Legendary Artist’s Influences to the Surface
November 10, 2023 DOC NYC 2023 Interview: Fernanda Faya on Wrestling with a Hidden History in “Neirud”
