June 8, 2025 Tribeca 2025 Interview: Nora Kirkpatrick on Making Some Noise with “A Tree Fell in the Woods”
June 8, 2025 Tribeca 2025 Review: Alison Ellwood Won’t Let Fame Get in the Way of Studying Group Dynamics in “Boy George & Culture Club”
June 8, 2025 Tribeca 2025 Interview: Akbar Hamid and Harris Doran on Putting on Their Best Face for “Poreless”
June 8, 2025 Tribeca 2025 Interview: Nora Kirkpatrick on Making Some Noise with “A Tree Fell in the Woods”
June 8, 2025 Tribeca 2025 Review: Alison Ellwood Won’t Let Fame Get in the Way of Studying Group Dynamics in “Boy George & Culture Club”
June 8, 2025 Tribeca 2025 Interview: Akbar Hamid and Harris Doran on Putting on Their Best Face for “Poreless”
May 15, 2025 Cannes 2025 Review: A Teacher is in for an Education in Louise Hémon’s Mordant “The Girl in the Snow”
May 14, 2025 Cannes 2024 Review: A Young Man’s Uneasy with Having It Easy in Laurent Cantet’s Tremendous “Enzo”
May 24, 2024 Cannes 2024 Review: A Sense of Defeat is Soulfully Evoked in Payal Kapadia’s Triumphant “All We Imagine as Light”
May 20, 2024 Cannes 2024 Review: A Refugee Courier Seeks Deliverance in Boris Lojkine’s Moving “L’Historie de Souleymane”
May 19, 2024 Cannes 2024 Review: A Defiant Poet Gets a Radical Biopic in the Electric “Limonov: The Ballad of Eddie”
May 18, 2024 Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
May 16, 2024 Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
