Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
BerlinaleReviews·3 min readBerlinale 2024 Review: A Matriarch Builds a Formidable Sand Castle in “Betânia”
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ReviewsSundance·3 min readSundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
Reviews·3 min readRotterdam 2024 Review: Certain Anxieties Can’t Be Passed Down in Ben Petrie’s Cleverly Chaotic “The Heirloom”
ReviewsSundance·2 min readSundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
ReviewsSundance·2 min readSundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
ReviewsSundance·3 min readSundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
ReviewsSundance·3 min readSundance 2024 Review: Fear is a Funny Thing in Caroline Lindy’s “Your Monster”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”