The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Sundance 2022 Interview: Bradley Rust Gray Going with the Flow of “blood”

    Sundance 2022 Interview: Jim Archer, David Earl and Chris Hayward on Putting It All Together for the Robot Comedy “Brian and Charles”

    Sundance 2022 Interview: Shaandiin Tome and Rayka Zehtabchi on a Rite of Passage in “Long Line of Ladies”

  • Reviews
    Reviews

    Sundance 2022 Review: A Breathtaking New Voice Considers a Loss of Cultural Identity in “Nanny”

    Sundance 2022 Review: Andrew Semans’ “Resurrection” Becomes an Object of Obsession

    Sundance 2022 Review: “Utama” Conjures a Cinematic Oasis Out in the Desert

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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    Sundance 2022 Review: Isabel Castro’s “Mija” Dares to Dream

    Sundance 2022 Review: Andrew Semans’ “Resurrection” Becomes an Object of Obsession

    Sundance 2022 Review: “Tantura” Profoundly Observes the War to Be Remembered

    Sundance 2022 Interview: Jim Archer, David Earl and Chris Hayward on Putting It All Together for the Robot Comedy “Brian and Charles”

    Sundance 2022 Review: The Justice System Creates a Broken Record in the Blistering “Free Chol Soo Lee”

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Xavier Legrand

Thomas Gioria in "Custody"
ReviewsTIFF

TIFF ’17 Review: A Messy Divorce is Precisely Realized in Xavier Legrand’s Electrifying “Custody”

Following up his Oscar-nominated short "Just Before Losing Everything," Xavier Legrand makes an intense, searing feature debut with a portrait of domestic abuse.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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