The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

  • Reviews
    Reviews

    Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”

    Cannes 2022 Review: Doubt Trickles Into a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: Sunlight Gives Way to a Gathering Storm in Erige Sehiri’s Iridescent “Under the Fig Trees”

    Berlinale 2022 Review: “Dreaming Walls” Opens a Window Into the Soul of the Hotel Chelsea

    Cannes 2022 Review: Doubt Trickles Into a Flood of Emotions in Elena López Riera’s “El Agua”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    Interview: Alexander Mora on Finding the Right Lens to Tell of the Terror in the Philippines in “The Nightcrawlers”

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What the Fest!?

A scene from Larry Fessenden's "Depraved"
Interviews

What the Fest!? ’19 Interview: Larry Fessenden on Breathing New Life Into Frankenstein with “Depraved”

On returning to his roots for this brilliant reworking of the Mary Shelley classic that adds to the legend of the writer/director.
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Scenes from "Body at Brighton Rock," "Darlin'" and "Dead Center"
Festivals

Interview: Maria Reinup on Keeping Audiences on Their Toes at New York’s What the Fest!? Festival

The veteran festival programmer talks about the excitement of building a festival in New York focused on fringe fare that can reveal the whole world.
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Emile Hirsch and Lexy Kolker in "Freaks"
Interviews

What the Fest!? ’19 Interview: Zach Lipovsky & Adam B. Stein on Finding Strength in Numbers with “Freaks”

The filmmakers who were once pitted against each other on a reality show competition talk about becoming collaborators who brought out the best in one another with this diverting feature debut.
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Shane Carruth and Jeremy Childs in "The Dead Center"
Interviews

What the Fest!? ’19 Interview: Billy Senese, Jeremy Childs and Shane Carruth on Death Taking on a Life of Its Own in “The Dead Center”

The director and stars of this creepy paranoid thriller talk about getting audiences out of their comfort zone in their thoughts of mortality and how making it got the filmmakers out of theirs.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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