Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”
L.A. Asian Pacific Film Fest 2022 Interview: Deann Borshay Liem on Bridging the Divide in Perception Between North and South Korea in “Crossings”
InterviewsInterview: Yen Tan on Finding the Right Words for the Disease That Had No Name in “1985”The "Pit Stop" director talks about telling the story of a young man facing the end of his life when he should only be at the beginning. Read Story
ReviewsSXSWSXSW ’18 Review: A Disease May Ravage the Body But Can’t Touch the Soul of Yen Tan’s Riveting “1985”The "Pit Stop" director exquisitely brings a generation of gay men that disappeared during the AIDS crisis to vivid life in this moving drama. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
