March 27, 2025 Manthia Diawara on Capturing a Technology’s Blind Spots with “AI: African Intelligence”
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
March 27, 2025 Manthia Diawara on Capturing a Technology’s Blind Spots with “AI: African Intelligence”
March 24, 2025 SXSW 2025 Review: Andrew Patterson’s Blazingly Original “The Rivals of Amziah King” Makes an Enemy of Convention
September 10, 2023 TIFF 2023 Review: An Artist Spinning Their Wheels Leads to Success in Chris Wilcha’s “Flipside”
September 10, 2023 TIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
September 10, 2023 TIFF 2023 Review: Chloe Robichaud’s “Days of Happiness” Brings a Sense of Satisfaction
September 9, 2023 TIFF 2023 Review: Azazel Jacobs’ “His Three Daughters” is an Irresistible Family Affair
September 8, 2023 TIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
September 8, 2023 TIFF 2023 Review: “Green Border” Crisply Captures a Situation That’s Rough Around the Edges
September 7, 2023 TIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
