December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
December 3, 2024 Isaki Lacuesta on Orbiting Around the Truths of the Creative Process in “Saturn Return”
December 2, 2024 Smriti Mundhra on the Unexamined Implications of Capital Punishment in “I Am Ready, Warden”
September 10, 2023 TIFF 2023 Review: An Artist Spinning Their Wheels Leads to Success in Chris Wilcha’s “Flipside”
September 10, 2023 TIFF 2023 Review: “The Teacher” Outlines a Conflict That Leaves Everyone as Prisoners of War
September 10, 2023 TIFF 2023 Review: Chloe Robichaud’s “Days of Happiness” Brings a Sense of Satisfaction
September 9, 2023 TIFF 2023 Review: Azazel Jacobs’ “His Three Daughters” is an Irresistible Family Affair
September 8, 2023 TIFF 2023 Interview: Ivete Lucas and Patrick Bresnan on a Celebration of Life in “The Passing”
September 8, 2023 TIFF 2023 Review: “Green Border” Crisply Captures a Situation That’s Rough Around the Edges
September 7, 2023 TIFF 2023 Interview: Eva Thomas on Giving Herself the Greenlight to Make “Redlights”
