May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
May 16, 2025 Cannes 2025 Review: Ugo Bienvenu’s Crafty Chronological Caper “Arco” Makes for a Great Time
May 16, 2025 Cannes 2025 Review: Hafsia Herzi’s “The Little Sister” Compassionately Chronicles an Age of Contradictions
September 15, 2020 TIFF 2020 Review: Nature is a Real Beast in Madeline Sims-Fewer & Dusty Mancinelli’s “Violation”
September 14, 2020 TIFF 2020 Review: “76 Days” Powerfully Puts the COVID-19 Crisis in a Human Context
September 14, 2020 TIFF 2020 Interview: Sasha Leigh Henry on Building a Strong Vessel for a Difficult Conversation in “Sinking Ship”
September 14, 2020 TIFF 2020 Interview: Hannah Cheesman on Revealing the Complexities of a Female Friendship Hiding in Plain Sight in “Succor”
September 13, 2020 TIFF 2020 Interview: J Blakeson on Taking Great Pains to Make the Wildly Entertaining “I Care a Lot”
September 13, 2020 TIFF 2020 Interview: Charles Officer, Saul Williams and Thamela Mpumlwana on Working Through the Layers of “Akilla’s Escape”
September 12, 2020 TIFF 2020 Interview: Argyris Papadimitropoulos on Giving Audiences Something to Look Forward To in “Monday”
September 10, 2020 TIFF 2020 Review: An Arrest Leads to Paralyzing Questions About the Reasons Behind It in Sonia Kennebeck’s Gripping “Enemies of the State”
