BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”
Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South
“All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South
LAAPFF ’18 Interview: Alexandra Cuerdo & Rey Cuerdo Jr. on Cooking Up Something Special with “Ulam: Main Dish”
Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson
ReviewsReview: Career Bests Across the Board Make “The Spectacular Now” Feel Alive in the MomentThe director of "Smashed," the writers of "(500) Days of Summer" and a killer ensemble team for one of the year's finest films. Read Story
ReviewsUncategorizedSIFF ’14 Review: “Fault in Our Stars” is A-OkayA faithful adaptation of John Green's young adult romance requires multiple hankies. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
