The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

    Tribeca 2022 Review: Signe Baumane’s “My Love Affair with Marriage” is a Truly Animated Affair

    Tribeca 2022 Review: No Mourning is Allowed with Death on the Horizon in the Beautifully Bittersweet “Pink Moon”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Andy Ostroy on Keeping a Singular Artist’s Legacy Alive in “Adrienne”

    Tribeca 2022 Review: Annette K. Olesen’s “A Matter of Trust” Hops Around Difficult Leaps of Faith

    Interview: Cooper Raiff on Getting at Grace in “Shithouse”

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Tanya Wexler

Interviews

Interview: Tanya Wexler on Taking a Bull By the Horns with “Buffaloed”

The "Hysteria" director talks about making good in this sharp comedy about debt collection.
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Hugh Dancy and Maggie Gyllenhaal in "Hysteria"
Interviews

Interview: Tanya Wexler on Creating “Hysteria”

The director causes a sensation with the new comedy about the invention of the vibrator and tries her hardest to avoid puns in talking to us about it.
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ReviewsTribeca Film Festival

Tribeca Film Fest ’19 Review: Zoey Deutch Pays Off as a Debt Collector in Tanya Wexler’s Brainy Comedy “Buffaloed”

The director of "Hysteria" returns with a savage satire that makes sense out of all the dollars shifted from the poor to the rich through predatory loans.
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FestivalsReviewsToronto Film Festival 2011Tribeca Film Festival

TIFF ’11 Review: Gyllenhaal, Dancy Heighten “Hysteria”

Tanya Wexler's sweet and salty Victorian-era romantic comedy involving the birth of the world's first vibrator aims to please and please it does.
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Greta Gerwig in "Maggie's Plan"
Innovators

Difference Makers: Lucy Barzun Donnelly, Alexandra Kerry, & Alexis Alexanian on Revving Up Locomotive

With ties to America's top foreign diplomats, the production trio is paving the way for smart, female-driven films for the world over.
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  • Contact Us
Copyright 2011 The Moveable Fest

Zeen Trending

Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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