The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

  • Reviews
    Reviews

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

    Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

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    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Seven Quirky Lowbrow Favorite Films of Highbrow Directors

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Spaceship Earth

Interviews

Interview: Matt Wolf on Getting to the Higher Ground of “Spaceship Earth”

The director talks about discovering a group whose ambitions of reimagining the world were limited by how they were portrayed by the one we live in now.
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ReviewsSundance

Sundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”

A project looking towards sustainable life on Mars runs into the smaller imaginations of those here on Earth in the "Teenage" director's fascinating look at Biosphere 2.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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