The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Adam Leon on Developing a Memory for “Italian Studies”

    Jeffery Robinson, Emily Kunstler and Sarah Kunstler on Reengaging with History in “Who We Are: A Chronicle of Racism in America”

    Cinematographer Ari Wegner on Looking Past the Plains in “The Power of the Dog”

  • Reviews
    Reviews

    DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

    DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

    DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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    Jeffery Robinson, Emily Kunstler and Sarah Kunstler on Reengaging with History in “Who We Are: A Chronicle of Racism in America”

    Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

    Playing God: 13 Actors Who Dared To Be the Deity in Movies

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Josephine Decker in "Saturday Morning Massacre"
InterviewsL.A. Film Fest

LAFF ’12 Interview: Spencer Parsons, Jonny Mars,
Ashley Spillers & Josephine Decker Plot
a “Saturday Morning Massacre”

On a production nearly as crazy as what made it onto the screen.
Read Story
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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