The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Jonas Carpignano on Heading Into Unknown Territory in “A Chiara”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

  • Reviews
    Reviews

    Cannes 2022 Review: A Girl Discovers It’s a Dog Eat Dog World in Jasmine Trinca’s “Marcel!”

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

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Robert Greene

Interviews

Robert Greene on Taking the Steps to Move Foward in “Procession”

The director of "Bisbee '17" on giving voice to survivors of sexual abuse in the Catholic Church and creating a conscious collaboration to make this powerful film.
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Yance Ford in "Strong Island"
InterviewsTrue/False

True/False ’18 Interview: Director of Photography Alan Jacobsen on Having a Vision for “Strong Island”

On devising a camera set-up that would put an interview subject at ease when talking about one of the most painful moments in his life - who happens to be the director of the film.
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Kate Lyn Sheil in "Kate Plays Christine"
ReviewsSundance

Sundance ’16 Review: An Actor is Transformed in “Kate Plays Christine”

Director Robert Greene continues to find truth in mixing fact and fiction, this time with the help of Kate Lyn Sheil.
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Louise Gikow, Michael Gross, Unknown, Unknown Unknown, Unknown, Doug Kenney, Henry Beard in DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON
Interviews

Interview: Douglas Tirola on Bringing Life and Laughs to the National Lampoon History “Drunk Stoned Brilliant Dead”

The "Hey Bartender" and "All In" documentarian talks about recounting a history in as fun and irreverent fashion as the comedy brand established in their heyday.
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Scenes from "On Her Shoulders," "Bisbee '17," and "Shirkers"
FavoritesInterviews

Our Favorites 2018: Sound Designer Lawrence Everson on Making Docs That Reverberate

The expert sound designer talks about how he uses the ears to get inside the heads of complicated characters in "Bisbee '17," "On Her Shoulders" and "Shirkers."
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St. Vincent in a scene from "Contemporary Color"
Interviews

Interview: Bill & Turner Ross on Expanding the Spectrum with “Contemporary Color”

The fraternal directing duo behind "Western" talk about reinventing the concert film with David Byrne's radical reconception of a concert.
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Kentucker Audley in "Christmas, Again"
Interviews

Interview: Charles Poekel on Having a Reason to Celebrate “Christmas, Again”

The director of a delicate new holiday staple talks about how he became a Christmas tree salesman in order to make his feature debut.
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Elizabeth Moss in "Queen of Earth"
Interviews

Interview: Composer Keegan DeWitt on Creating the Sounds of the Summer at the Movies

The innovative composer talks about his distinctive scores for "I'll See You in My Dreams," "Unexpected" and "Queen of Earth."
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A scene from Robert Greene's "Bisbee '17"
Interviews

Interview: Robert Greene on Capturing the Continual Present in “Bisbee ’17”

The "Kate Plays Christine" director discusses seizing upon a relatively little-known conflict in an Arizona mining town a century ago to tell a story about America now.
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St Vincent in "Contemporary Color"
ReviewsSeattle Film Festival

SIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”

An exhilarating, living document as adventurous as the event it covers - David Byrne's grand musical experiment with Color Guard squads.
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A scene from Nick Berardini's "Killing Them Safely"
Interviews

Interview: Nick Berardini on the Trouble with Tasers in “Killing Them Safely”

The first-time filmmaker on his truly stunning documentary about the dangerous proliferation of tasers.
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A policeman in Warren, Michigan in a scene from "Tom Swift and His Electric Rifle"
ReviewsTribeca Film Festival

Tribeca ’15 Review: “Tom Swift and His Electric Rifle” is a Stunner in More Ways Than One

An expertly told and electrifying history of the Taser and how its overuse led to a lazy police culture.
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Zeen Trending

Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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