Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Douglas Tirola on Bringing Life and Laughs to the National Lampoon History “Drunk Stoned Brilliant Dead”
Interviews·11 min readInterview: Bill & Turner Ross on Expanding the Spectrum with “Contemporary Color”
Interviews·12 min readInterview: Composer Keegan DeWitt on Creating the Sounds of the Summer at the Movies
FavoritesInterviews·17 min readOur Favorites 2018: Sound Designer Lawrence Everson on Making Docs That Reverberate
ReviewsSeattle Film Festival·3 min readSIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”
ReviewsTribeca Film Festival·3 min readTribeca ’15 Review: “Tom Swift and His Electric Rifle” is a Stunner in More Ways Than One
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”