Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readInterview: Bill & Turner Ross on Expanding the Spectrum with “Contemporary Color”
FavoritesInterviews·17 min readOur Favorites 2018: Sound Designer Lawrence Everson on Making Docs That Reverberate
ReviewsTribeca Film Festival·3 min readTribeca ’15 Review: “Tom Swift and His Electric Rifle” is a Stunner in More Ways Than One
Interviews·12 min readInterview: Composer Keegan DeWitt on Creating the Sounds of the Summer at the Movies
InterviewsTrue/False·11 min readTrue/False ’18 Interview: Director of Photography Alan Jacobsen on Having a Vision for “Strong Island”
ReviewsSeattle Film Festival·3 min readSIFF ’16 Review: Bill & Turner Ross Reinvent the Concert Film in “Contemporary Color”
Interviews·11 min readInterview: Douglas Tirola on Bringing Life and Laughs to the National Lampoon History “Drunk Stoned Brilliant Dead”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”