November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 18, 2024 DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling
November 17, 2024 DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”
November 16, 2024 DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”
August 31, 2011 Review: Vincent Gallo and Jerzy Skolimoski Come Out From the Cold with “Essential Killing”
August 23, 2011 Review: The Horror of an Estate Tax Too High in Troy Nixey’s “Don’t Be Afraid of the Dark”
August 22, 2011 Review: Surveying the Wreckage of a Personal Apocalypse in Lars von Trier’s “Melancholia”
August 15, 2011 Review: Finding the Humor in the Tears of a Clown in Álex de la Iglesia’s “The Last Circus”
August 11, 2011 Review: Joe Swanberg & Adam Wingard Take a Different Approach to Fleshing Out Their Ideas in “Autoerotic”
