February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
February 16, 2025 Berlinale 2025 Review: Fernando Eimbcke’s “Olmo” Delightfully Shows a Responsibility to Being a Kid
February 16, 2025 Sundance 2025 Review: Cherien Dabis Pieces Together an Emotional Powerhouse in “All That’s Left of You”
February 15, 2025 Berlinale 2025 Review: Michel Franco’s “Dreams” Imagines a Different Kind of Border Crossing
February 16, 2025 Berlinale 2025 Review: Mehmet Akif Büyükatalay’s “Hysteria” is a Taut Tale of the Tape
February 16, 2025 Berlinale 2025 Review: Fernando Eimbcke’s “Olmo” Delightfully Shows a Responsibility to Being a Kid
February 16, 2025 Sundance 2025 Review: Cherien Dabis Pieces Together an Emotional Powerhouse in “All That’s Left of You”
February 15, 2025 Berlinale 2025 Review: Michel Franco’s “Dreams” Imagines a Different Kind of Border Crossing
February 13, 2013 Interview: Jon Alpert and Matthew O’Neill Seek “Redemption” in Their Oscar-Nominated Short About NY Gleaners
February 13, 2013 Interview: Shawn Christensen on the Freedom He Found With the Oscar-Nominated Short “Curfew”
January 1, 2013 A Brief History of Self-Financed Oscar Campaigns: Five Award Aspirants That Paid Their Own Way
February 22, 2012 Shaking Off Oscar Cynicism at an Evening of Academy Award-Nominated Shorts Hosted by Brad Bird
September 19, 2011 See Herzog’s “Into the Abyss,” the Complete “Paradise Lost 3” Early in L.A. – A Full List of Doc Oscar Runs
August 13, 2011 DocuWeeks 2011’s Three to See – “Better This World,” “The Carrier,” and “Unifinished Spaces”