September 8, 2024 TIFF 2024 Review: An Astronaut Looks to Find Inner Peace in Pavlo Ostrikov’s Charming “U Are the Universe”
September 8, 2024 TIFF 2024 Review: A Heart Condition Leads to Intense Palpitations in Maksud Hossain’s “Saba”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
September 8, 2024 TIFF 2024 Review: An Astronaut Looks to Find Inner Peace in Pavlo Ostrikov’s Charming “U Are the Universe”
September 8, 2024 TIFF 2024 Review: A Heart Condition Leads to Intense Palpitations in Maksud Hossain’s “Saba”
September 6, 2024 TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise
September 6, 2024 Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night”
February 13, 2013 Interview: Jon Alpert and Matthew O’Neill Seek “Redemption” in Their Oscar-Nominated Short About NY Gleaners
February 13, 2013 Interview: Shawn Christensen on the Freedom He Found With the Oscar-Nominated Short “Curfew”
January 1, 2013 A Brief History of Self-Financed Oscar Campaigns: Five Award Aspirants That Paid Their Own Way
February 22, 2012 Shaking Off Oscar Cynicism at an Evening of Academy Award-Nominated Shorts Hosted by Brad Bird
September 19, 2011 See Herzog’s “Into the Abyss,” the Complete “Paradise Lost 3” Early in L.A. – A Full List of Doc Oscar Runs
August 13, 2011 DocuWeeks 2011’s Three to See – “Better This World,” “The Carrier,” and “Unifinished Spaces”