September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
February 3, 2020 Sundance 2020 Review: A House is Not a Home in Josephine Decker’s Enthralling “Shirley”
September 13, 2019 TIFF ’19 Interview: Odessa Young and David Raboy on Working Towards Something Major with “The Giant”
November 15, 2017 Interview: Jamie M. Dagg & Christopher Abbott on Waiting for the Light in the Deliciously Dark “Sweet Virginia”
