The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

  • Reviews
    Reviews

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    How the Other Half Lives: On Gaspar Noé’s Provocative Act of Compassion in “Vortex” and “Lux Æterna”

    Hot Docs 2022 Review: The Power of a Family Secret Shifts from the Keepers to Those Willing to Expose It in Jasmin Mara López’s “Silent Beauty”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Human Rights Watch Film Fest 2022 Interview: Maia Kenworthy and Elena Sánchez Bellot on Making a Difference and the Differences Getting There in “Rebellion”

    Cannes 2022 Review: A Trickle of Doubt Opens Up a Flood of Emotions in Elena López Riera’s “El Agua”

    Alessandro Celli on Piecing Together a World in Ruins in “Mondocane”

    SIFF 2022 Review: “Warm Blood” Has Its Finger on the Pulse

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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New York Film Festival 2020

New York Film FestivalReviews

New York Film Fest 2020 Review: Michelle Pfeiffer and Lucas Hedges Make a Great Escape in Azazel Jacobs’ Irresistible “French Exit”

Facing bankruptcy, a New York socialite and her son head for Paris in the delightful new comedy from the director of "The Lovers."
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New York Film FestivalReviews

New York Film Fest 2020 Review: Yulene Olaizola’s “Tragic Jungle” Goes For a Worthwhile Walk on the Wild Side

A woman on the run becomes one to run from in this sensational adventure.
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New York Film FestivalReviews

New York Film Fest 2020 Review: A Fire Can’t Be Extinguished in Dea Kulumbegashvili’s Searing “Beginning”

An act of arson reveals the ways in which the wife of a religious leader can't break free in this devastating drama.
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New York Film Festival

New York Film Fest 2020 Interview: Allison Chhorn on Building a Structure to Withstand Grief in “The Plastic House”

On channeling the feeling of loss that comes with the death of a loved one into something to hold onto in this moving hybrid of docufiction.
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New York Film FestivalReviews

New York Film Fest 2020 Review: Gianfranco Rosi Sheds Light on The War-Torn Middle East in “Notturno”

The director of "Fire at Sea" returns with this vivid and heartbreaking look at a land still caught in the crossfire.
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New York Film FestivalReviews

New York Film Fest 2020 Review: The Justice System Goes on Trial in Steve McQueen’s Captivating Court Drama “Mangrove”

Closed minds prevent a Trinidad immigrant's dream restaurant from staying open in this searing chapter of the "Widows" director's "Small Axe" series.
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New York Film Festival

New York Film Fest 2020 Interview: Lewie Kloster and Noah Kloster on Reconjuring the Spirit of CBGBs in “Shots in the Dark with David Godlis”

With a style of animation just as rebellious, the place for punk rock in New York in the '70s opens up once more through the striking work of photographer David Godlis.
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New York Film FestivalReviews

New York Film Fest 2020 Review: An Officer Comes Under Fire From All Sides in Steve McQueen’s “Red, White and Blue”

John Boyega shines as a cadet whose decision to join the force as an agent of change comes at great personal expense.
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New York Film FestivalReviews

New York Film Fest 2020 Review: A Night to Remember in a Forgotten Time in Steve McQueen’s Exuberant “Lovers Rock”

The director of "Widows" and "12 Years a Slave" returns with his most joyous work.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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