December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
December 3, 2024 Emanuel Parvu on Creating a Sea Change with “Three Kilometres to the End of the World”
October 11, 2020 New York Film Fest 2020 Review: Michelle Pfeiffer and Lucas Hedges Make a Great Escape in Azazel Jacobs’ Irresistible “French Exit”
October 9, 2020 New York Film Fest 2020 Interview: Allison Chhorn on Building a Structure to Withstand Grief in “The Plastic House”
October 8, 2020 New York Film Fest 2020 Interview: Lewie Kloster and Noah Kloster on Reconjuring the Spirit of CBGBs in “Shots in the Dark with David Godlis”
October 7, 2020 New York Film Fest 2020 Review: Yulene Olaizola’s “Tragic Jungle” Goes For a Worthwhile Walk on the Wild Side
October 6, 2020 New York Film Fest 2020 Review: Gianfranco Rosi Sheds Light on The War-Torn Middle East in “Notturno”
October 6, 2020 New York Film Fest 2020 Review: An Officer Comes Under Fire From All Sides in Steve McQueen’s “Red, White and Blue”
October 4, 2020 New York Film Fest 2020 Review: A Fire Can’t Be Extinguished in Dea Kulumbegashvili’s Searing “Beginning”
October 3, 2020 New York Film Fest 2020 Review: The Justice System Goes on Trial in Steve McQueen’s Captivating Court Drama “Mangrove”
September 17, 2020 New York Film Fest 2020 Review: A Night to Remember in a Forgotten Time in Steve McQueen’s Exuberant “Lovers Rock”