Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
L.A. Film Fest·7 min readL.A. Film Fest ’17 Interview: Sam Hoffman on Getting Serious with “Humor Me”
L.A. Film Fest·7 min readInterview: Richard Levine & Jared Ian Goldman on Not Giving Audiences an Easy Out with “Submission”
L.A. Film FestReviews·2 min readL.A. Film Fest ’17 Review: Vincent Grashaw Powerfully Opens Up a Conversation on School Violence with “And Then I Go”
L.A. Film Fest·7 min readL.A. Film Fest ’17 Interview: Sara Lamm on the Birth of “Thank You for Coming”
L.A. Film Fest·8 min readL.A. Film Fest ’17 Interview: Arshad Khan on Going Behind the Images in “Abu”
L.A. Film Fest·10 min readL.A. Film Fest ’17 Interview: Daniel Peddle, Mitchell Slaggert and Christine Marzano on Finding a Place of Their Own in “Moss”
Interviews·15 min readInterview: Hillary Spera on the Moving Images of “Submission,” “Saturday Church” and “Band-Aid”
L.A. Film Fest·8 min readL.A. Film Fest ’17 Interview: Leena Pendharkar on Taking Her Time with “20 Weeks”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”