September 9, 2026 Venice Film Fest 2026 Review: Birds of a Feather Flock Together in Kornél Mundruczó and Kata Wéber’s Airy Adventure “Place to Be”
September 9, 2026 Venice Film Fest 2026 Review: A Young Man Seeks Safe Harbor in Xavier Tera’s Compelling Coming-of-Age Drama “The Color of the Sun”
September 8, 2026 Venice Film Fest 2026 Review: Casey Affleck’s “Company” Knows the Power of a Good Story
September 8, 2026 Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
September 9, 2026 Venice Film Fest 2026 Review: Birds of a Feather Flock Together in Kornél Mundruczó and Kata Wéber’s Airy Adventure “Place to Be”
September 9, 2026 Venice Film Fest 2026 Review: A Young Man Seeks Safe Harbor in Xavier Tera’s Compelling Coming-of-Age Drama “The Color of the Sun”
September 8, 2026 Venice Film Fest 2026 Review: Casey Affleck’s “Company” Knows the Power of a Good Story
September 8, 2026 Venice Film Fest 2026 Review: Raising a College Student Leaves a Couple Looking to Re-Learn How to Live in “Una Storia (A Common Story)”
July 10, 2017 L.A. Film Fest ’17 Interview: Daniel Peddle, Mitchell Slaggert and Christine Marzano on Finding a Place of Their Own in “Moss”
July 10, 2017 Interview: Richard Levine & Jared Ian Goldman on Not Giving Audiences an Easy Out with “Submission”
July 8, 2017 Interview: Hillary Spera on the Moving Images of “Submission,” “Saturday Church” and “Band-Aid”
June 19, 2017 L.A. Film Fest ’17 Review: Vincent Grashaw Powerfully Opens Up a Conversation on School Violence with “And Then I Go”
