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DOXA 2020

DOXA 2020 Review: Elegance Bratton’s Revealing “Pier Kids” Shows Life on a Constant Precipice

A look at the transgender community of Christopher Street in New York where history was made with Stonewall and the future is still hardly promised to this day.

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Amalia Ulman on Having the World on a String with “El Planeta”

Sarah Adina Smith and Jonako Donley on Taking Flight with “Birds of Paradise”

SJ Chiro on Looking Around the Bend in “East of the Mountains”

Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

Sarah Adina Smith and Jonako Donley on Taking Flight with “Birds of Paradise”

SJ Chiro on Looking Around the Bend in “East of the Mountains”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

DOXA 2020

DOXA 2020 Review: Elegance Bratton’s Revealing “Pier Kids” Shows Life on a Constant Precipice

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies