July 16, 2025 Rebecca Martin Fagerholm and Emily Broderick on How the Cinema Femme Film Fest Stays a Step Ahead
July 16, 2025 Rebecca Martin Fagerholm and Emily Broderick on How the Cinema Femme Film Fest Stays a Step Ahead
November 30, 2020 DOC NYC 2020 Review: Running a Jazz Haven Becomes Its Own Art in Oliver Murray’s “Ronnie’s”
November 30, 2020 DOC NYC 2020 Review: An Immigrant’s Tale Transcends Borders in Zach Ingrasci and Chris Temple’s “Five Years North”
November 16, 2020 DOC NYC 2020 Review: “Youth Vs Gov” Makes the Case for Taking Responsibility for Climate Change Outside Court
November 14, 2020 DOC NYC 2020 Interview: Maia Lekow and Christopher King on Delivering a Portrait of Strength in “The Letter”
November 13, 2020 DOC NYC 2020 Review: Baseball Becomes a Mind Game in Sami Khan and Michael Gassert’s “The Last Out”
November 13, 2020 DOC NYC 2020 Review: A Valuable Perspective on the Border Crisis is Found in “Missing in Brooks County”
November 11, 2020 DOC NYC 2020 Review: “Television Event” Captures the Weight of When the World Was Watching
November 11, 2020 DOC NYC 2020 Review: A Born Leader Comes to the Fore in Raquel Cepeda’s “La Madrina: The [Savage] Life of Lorine Padilla”
November 11, 2020 DOC NYC 2020 Review: A Son Goes to Great Ends to Keep His Mother Occupied in “Duty Free”
November 11, 2020 DOC NYC 2020 Review: An Unholy Alliance Emerges in Maya Zinshtein’s “Til Kingdom Come”
