Andrea Nix Fine and Sean Fine on Filling in the Emotional Details of the Day That Democracy Nearly Died on “The Sixth”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·9 min readInterview: Sarah Koskoff and Todd Louiso Make Quite the Entrance with “Hello I Must Be Going”
ReviewsTribeca Film FestivalUncategorized·2 min readTribeca ’17 Review: A Rotten Situation Proves to Be a Delicious Thriller in “Sweet Virginia”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
Interviews·6 min readInterview: Mona Fastvold on Locating the Language of Love in “The World to Come”
InterviewsTIFF·7 min readTIFF ’16 Interview: Wayne Roberts on Making an Entrance with “Katie Says Goodbye”
Interviews·7 min readInterview: Jamie M. Dagg & Christopher Abbott on Waiting for the Light in the Deliciously Dark “Sweet Virginia”
ReviewsSundance·3 min readSundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”