DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsSundance·3 min readSundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
Interviews·7 min readInterview: Jamie M. Dagg & Christopher Abbott on Waiting for the Light in the Deliciously Dark “Sweet Virginia”
InterviewsTIFF·7 min readTIFF ’16 Interview: Wayne Roberts on Making an Entrance with “Katie Says Goodbye”
Interviews·6 min readInterview: Mona Fastvold on Locating the Language of Love in “The World to Come”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
ReviewsTribeca Film FestivalUncategorized·2 min readTribeca ’17 Review: A Rotten Situation Proves to Be a Delicious Thriller in “Sweet Virginia”
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Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”