Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2021 Review: Jerrod Carmichael’s “On the Count of Three” Makes the Most Out of One Last Day
Interviews·7 min readInterview: Jamie M. Dagg & Christopher Abbott on Waiting for the Light in the Deliciously Dark “Sweet Virginia”
InterviewsTIFF·7 min readTIFF ’16 Interview: Wayne Roberts on Making an Entrance with “Katie Says Goodbye”
Interviews·6 min readInterview: Mona Fastvold on Locating the Language of Love in “The World to Come”
ReviewsVenice Film Festival·3 min readVenice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
ReviewsTribeca Film FestivalUncategorized·2 min readTribeca ’17 Review: A Rotten Situation Proves to Be a Delicious Thriller in “Sweet Virginia”
Interviews·9 min readInterview: Sarah Koskoff and Todd Louiso Make Quite the Entrance with “Hello I Must Be Going”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”