Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Andy Brown and Brian Lindstrom on Spotlighting A Musician Before Her Time in “Lost Angel: The Genius of Judee Sill”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsSundance·11 min readSundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”
FestivalsTIFF·9 min readTIFF ’14 Interview: Lixin Fan on Finding China’s Values Through its Culture in “I Am Here”
ReviewsTribeca Film Festival·2 min readTribeca ’14 Review: “The Search for General Tso” Dishes Out a Tasty Cultural History
Interviews·10 min readInterview: Jia Zhangke on the Intersection of an Evolving Career and an Evolving Country in “Ash is the Purest White”
ReviewsSundance·3 min readSundance ’16 Review: An Ascendant Portrait of an Artist in “Sky Ladder: The Art of Cai Guo Qiang”
InterviewsSXSW·5 min readSXSW ’17 Interview: Miao Wang on Heading Back to High School for “Maineland”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”