Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”
Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”
Tribeca 2021 Review: Refugees of a War-Torn Syria Refuse to Be Pulled Apart in the Tender “Simple as Water”
Tribeca 2021 Interview: Emmett Brennan on Tapping Into Creative Forms of Conservation in “Reflection: a walk with water”
ReviewsTIFFTIFF ’17 Review: An End That Leads to Many Beginnings in Lisa Langseth’s Sensational “Euphoria”The “Hotell” director's English-language debut reunites her with Alicia Vikander to intrigue with strong performances and a unique setting. Read Story
ReviewsToronto Film Festival 2011Review: Surveying the Wreckage of a Personal Apocalypse in Lars von Trier’s “Melancholia”An avowed Lars von Trier hater comes to terms with the masterwork that's his latest as the director comes to terms with the end of the world. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
