September 19, 2024 Notes on Programming: Sari Navarro on a Series of Growing Consciousness with “Hasta La Raíz”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 17, 2024 TIFF 2024 Interview: Milad Tangshir and Ibrahima Sambou on Legging Out a Life in “Anywhere Anytime”
September 19, 2024 Notes on Programming: Sari Navarro on a Series of Growing Consciousness with “Hasta La Raíz”
September 18, 2024 TIFF 2024 Review: History’s Embrace May Be a Little Too Tight for Comfort in Sofia Bohdanowicz’s Exquisite “Measures for a Funeral”
September 17, 2024 TIFF 2024 Interview: Milad Tangshir and Ibrahima Sambou on Legging Out a Life in “Anywhere Anytime”
April 6, 2022 A Face in the Crowd: An Escape Comes From Within in Carlen May-Mann’s “Romance Package for Two”
September 4, 2019 A Face in the Crowd: Beck Kitsis Makes a Hell of an Introduction with “The Three Men You Meet at Night”
July 31, 2018 A Face in the Crowd: Carlen May-Mann Slyly Finds a New Way Into the Horror Genre with “The Rat”