The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

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Bridey Elliott

Clare McNulty and Bridey Elliott in "Fort Tilden"
Interviews

Interview: Sarah-Violet Bliss, Charles Rogers, Bridey Elliott and Clare McNulty on Getting Their Feet Wet in “Fort Tilden”

The filmmakers behind the brutal Brooklyn satire about two young, directionless women in search of a day at the beach talk about filming on bicycles and in freezing waters in September and how the film deals with privilege.
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A scene from Bridey Elliott's "Clara's Ghost"
ReviewsSundance

Sundance ’18 Review: Bridey Elliott Scares Up the Horror of a Family Weekend in “Clara’s Ghost”

An insightful comedy in which show business runs in the family to the point where it may kill them.
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Bridey Elliott in "Affections"
Sundance

Sundance ’16 Interview: Bridey Elliott on Her Winning “Affections”

The "Fort Tilden" star talks about turning a lonely first few months in LA into a beautifully bittersweet comedy for her directorial debut.
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Paula Niedert Elliott in "Clara's Ghost"
Interviews

Interview: Bridey Elliott on Fleshing Out “Clara’s Ghost”

The writer/director/actress talks about finding the laughs inside a house of horrors - at a family reunion onscreen and off.
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Bridey Elliott's "Clara's Ghost"
A Face in the Crowd

A Face in the Crowd: Bridey Elliott Turns “Clara’s Ghost” Into a Reality

The "Fort Tilden" star is raising funds to raise the dead with this comic thriller featuring her very funny family.
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InterviewsSundance

Sundance 2020 Interview: Beth Einhorn on the Sibling Revelry of “The Starr Sisters”

The co-director talks about finding an unforgettable pair of sisters whose past pain led them to find true happiness together.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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