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Brett Potter

Our Favorites 2016: Lucas Leyva on “Moonlight” and the Magical Mix of the Borscht Corporation

The co-founder of the Miami artists' collective on making the introduction that led to one of 2016's best films & their year-around work to help filmmakers.

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AFI Docs 2021: Antonio Mendez Esparza on Taking a Stand in “Courtroom 3H”

AFI Docs 2021 Interview: Matt Ogens on the Decade-Long Game Plan for “Audible”

AFI Docs 2021 Interview: Pedro Kos on a Revolution Inside the Catholic Church in “Rebel Hearts”

Tribeca 2021 Review: A Pair of Actors Regain Their Creative Drive on the Road in “Glob Lessons”

Tribeca 2021 Review: A College Reunion Leads to a Real Big Chill in “All My Friends Hate Me”

Tribeca 2021 Review: Nana Mensah’s “Queen of Glory” is a Regal Delight

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

AFI Docs 2021 Interview: Pedro Kos on a Revolution Inside the Catholic Church in “Rebel Hearts”

AFI Docs 2021 Interview: Lydia Cornett on Capturing A Sense of Community in “Bug Farm” and “Party Line”

AFI Docs 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

Tribeca 2021 Interview: Max Eriksson on Coming Up for Air in “The Scars of Ali Boulala”

Brett Potter

Our Favorites 2016: Lucas Leyva on “Moonlight” and the Magical Mix of the Borscht Corporation

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies