Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
AFI FestReviews·2 min readAFI Docs 2020 Review: Knowledge is Power in Julia Reichert and Steve Bognar’s Rousing “9to5: The Story of a Movement”
AFI FestReviews·2 min readAFI Docs 2020 Review: Sebastian Junger and Nick Quested’s “Blood on the Wall” Reveals How the U.S./Mexico Border Crisis Started From the Outside
AFI FestReviews·2 min readAFI Docs 2020 Review: Hate Has a Shelf Life in Daniel Lombroso’s “White Noise”
AFI FestReviews·2 min readAFI Docs 2020 Review: Maia Lekow and Christopher King Open Up a Wild Tale with “The Letter”
AFI FestReviews·2 min readAFI Docs 2020 Review: A Musician Gives Voice to a Community Grappling with Violence in “Freedia Got a Gun”
AFI Fest·2 min readAFI DOCS 2020 Review: A Politician is Shown Truly Moving the Needle in “Jimmy Carter: Rock ‘N’ Roll President”
AFI FestReviews·2 min readReview: A Family Crisis Comes Into Focus in Miles Hargrove’s Riveting “Miracle Fishing”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”