The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Adam Patterson and Declan Lawn on the Art of a Con in “Rogue Agent”

    Alli Haapasalo on Crafting a Portrait of Youth That’s a Little Rough Around the Edges in “Girl Picture”

    James Ponsoldt on Learning From a Season of Change in “Summering”

  • Reviews
    Reviews

    Outfest 2022 Review: A City Council Seat Becomes an Opportunity to Take a Stand in “A Run for More”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
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    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Pawo Choyning Dorji on Moving Mountains to Make “Lunana: A Yak in the Classroom”

    Adam Patterson and Declan Lawn on the Art of a Con in “Rogue Agent”

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Completing the Picture: How DuArt Film & TV Opened Up the Frame for American Independent Film

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1985

Michael Chiklis, Virginia Madsen, Cory Michael Smith in "1985"
Interviews

Interview: Yen Tan on Finding the Right Words for the Disease That Had No Name in “1985”

The "Pit Stop" director talks about telling the story of a young man facing the end of his life when he should only be at the beginning.
Read Story
Cory Michael Smith in "1985"
ReviewsSXSW

SXSW ’18 Review: A Disease May Ravage the Body But Can’t Touch the Soul of Yen Tan’s Riveting “1985”

The "Pit Stop" director exquisitely brings a generation of gay men that disappeared during the AIDS crisis to vivid life in this moving drama.
Read Story
Robert Sella in "1985"
SXSW

SXSW ’16 Interview: Yen Tan on Moving Forward by Turning Back the Clock to “1985”

The "Pit Stop" director on his compelling new short set during the AIDS crisis and the the career crossroads that inspired it.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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