October 29, 2024 AFI Fest 2024 Review: Passing On Becomes a Beautiful Part of Nature in Charlie McDowell’s “The Summer Book”
October 28, 2024 AFI Fest 2024 Review: A Rookie Cop Brings Fresh Eyes of a System of Justice in Sandhya Suri’s Engrossing “Santosh”
October 29, 2024 AFI Fest 2024 Review: Passing On Becomes a Beautiful Part of Nature in Charlie McDowell’s “The Summer Book”
October 28, 2024 AFI Fest 2024 Review: A Rookie Cop Brings Fresh Eyes of a System of Justice in Sandhya Suri’s Engrossing “Santosh”
TIFF 2024 Review: Frederik Louis Hviid’s Heist Thriller “The Quiet Ones” is Poised to Make Some Noise September 6, 2024
Venice Film Fest 2024 Review: Brothers Bound to Duty Can’t Abide One Another in Türker Süer’s Tense “Edge of Night” September 6, 2024
TIFF 2024 Interview: Mick Robertson and Margaret Rose on the Tensions in Between “Every Other Weekend” September 5, 2024
Jazmin Jones and Olivia McKayla Ross on Finding a New Cinematic Language in “Seeking Mavis Beacon” September 5, 2024
Venice Film Fest 2024 Review: Divisions in a Marriage Reflect Generational and Cultural Divides in Elizabeth Lo’s Transfixing “Mistress Dispeller” September 4, 2024
Venice Film Fest 2024 Review: A Young Woman Contends With Unexpected Daddy Issues in Vojtĕch Strakatý’s “After Party” September 3, 2024
Venice Film Fest 2024 Review: Sarah Friedland’s “Familiar Touch” Shows a Great Deal of Sensitivity September 3, 2024
Venice Film Fest 2024 Review: Xiaoxuan Jiang’s “To Kill a Mongolian Horse” Vividly Depicts A Changing Climate for Inner Mongolia September 2, 2024
Venice Film Fest 2024 Review: “The Story of Frank and Nina” Offers a Trio of Teens a Chance to (Creatively) Rewrite Their Destiny September 2, 2024
Venice Film Fest 2024 Review: Chaos Grows Around a Farmer in Frédéric Farrucci’s Fierce “The Mohican” September 1, 2024
Venice Film Fest 2024 Review: A Different Fight for Resistance Emerges in Gianni Amelio’s “Campo Di Battaglia” August 31, 2024
