Journal

Sebastian Pardo on the Bold-Faced Type of “The Brutalist”

December 25, 2024

Cinematographer Lol Crawley on the Tall Task of “The Brutalist”

December 25, 2024

Production Designer Judy Becker on Setting the Foundation for “The Brutalist”

December 25, 2024

Composer Daniel Blumberg on the Sonic Architecture of “The Brutalist”

December 25, 2024

Summer Shelton on Putting Her All Into “You and I”

December 18, 2024

Review: Punks Find a Sick Solution to a Life of Pain in Tyler Nilson and Michael Schwartz’s Rocking “Los Frikis”

December 18, 2024

Kaveh Daneshmand and Gem Deger on No Place for Rest in “Endless Summer Syndrome”

December 15, 2024

Peter Browngardt on a New Employment for Daffy Duck and Porky Pig in “The Day the Earth Blew Up”

December 12, 2024

José Avelino Gilles Corbett Lourenço on Having a Story to Tell with “Young Werther”

December 12, 2024

Sandi Dubowski on Reigning in a Spiritual Journey in “Sabbath Queen”

December 11, 2024

Michael John Warren on Testing the Waters in “Freediver”

December 10, 2024

Magnus Von Horn on Tugging at the Social Fabric in “The Girl with the Needle”

December 7, 2024