Hot Docs 2024 Interview: Alix Blair on Getting Inside the Grip of the Hands of Time in “Helen and the Bear”
Hot Docs 2024 Interview: Jennifer MacArthur on a Movement Towards Sustainability for Black-Owned Forests in “Family Tree”
Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
L.A. Film FestReviewsUncategorized·3 min readLA Film Fest ’14 Review: “Billy Mize and the Bakersfield Sound” Keeps it Upbeat
Uncategorized·8 min readInterview: Daniel Ribeiro, Ghilherme Lobo, Fabio Audi and Tess Amorim on “The Way He Looks”
Uncategorized·7 min readInterview: Stefan Haupt, Ernst Ostertag and Röbi Rapp on Completing “The Circle”
ReviewsSXSWUncategorized·3 min readSXSW ’15 Review: With “Uncle Kent 2,” A Sequel That’s Something Else
InterviewsUncategorized·7 min readInterview: Sophie Deraspe Connects the Dots in “A Gay Girl in Damascus – The Amina Profile”
ReviewsTIFFUncategorized·2 min readTIFF ’15 Review: “Five Nights in Maine” Offers a Stirring Rumination on Grief
InterviewsTIFFUncategorized·8 min readInterview: Martin Zandvliet on Making the Explosive WWII Drama “Land of Mine”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: A Droll Documentarian & a Mystery Woman on the Run Conspire for Fun in “Jacqueline (Argentine)”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: The Dark Side of the Power of Belief is Brought to Light in “Holy Hell”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”