Marlo McKenzie and Jonathan Parker on an Unlikely Feminist Icon Shaking Things Up in “Carol Doda Topless at the Condor”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
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Uncategorized·9 min readSXSW ’13 Interview: Glenn Leyburn, Lisa Barros D’Sa & Jodie Whittaker Spread “Good Vibrations”
ReviewsSundanceUncategorized·3 min readSundance ’16 Review: The Dark Side of the Power of Belief is Brought to Light in “Holy Hell”
ReviewsUncategorized·3 min readReview: Davidson and Junge Build an Exciting History of Legos in “Beyond the Brick”
Uncategorized·2 min readTrue/False ’19 Review: Ise Shinichi’s “Home, Sweet Home” is a Touching Family Portrait 35 Years in the Making
Uncategorized·10 min readInterview: Sam Feder on How a History of Transgender Representation on Screen Can Change the Future in “Disclosure”
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Uncategorized·3 min readDOC NYC ’19 Review: An Arthouse Cinema Giant is Restored to History in “Searching for Mr. Rugoff”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
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