Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Uncategorized·2 min readSundance ’18 Review: Chloe Sevigny and Kristen Stewart Have an Axe to Grind in Craig William MacNeill’s Killer “Lizzie”
ReviewsTIFFUncategorized·3 min readTIFF ’17 Review: A Steady Hand Guides a Relationship on the Rocks in “On Chesil Beach”
ReviewsTribeca Film FestivalUncategorized·2 min readTribeca ’17 Review: A Rotten Situation Proves to Be a Delicious Thriller in “Sweet Virginia”
ReviewsSXSWUncategorized·3 min readSXSW ’17 Review: C.A. Gabriel & Renée Felice Smith’s “The Relationtrip” is Well Worth Taking
London Film FestivalReviewsUncategorized·2 min readLondon Film Fest ’16 Review: Amma Asante Reimagines “A United Kingdom” Worth Living In
ReviewsTIFFUncategorized·3 min readTIFF ’16 Review: Jim Sheridan’s “The Secret Scripture” is Worth Uncovering
ReviewsSeattle Film FestivalUncategorized·3 min readSIFF ’16 Review: Authenticity Goes a Long Way in Nathan Adloff’s Winning “Miles”
ReviewsTribeca Film FestivalUncategorized·3 min readTribeca ’16 Review: “Little Boxes” Full of Intrigue
ReviewsTribeca Film FestivalUncategorized·3 min readTribeca ’16 Review: An Opening Act That’s As Good As It Gets in Jeff Grace’s Debut “Folk Hero & Funny Guy”
InterviewsUncategorized·8 min readTribeca ’16 Interview: Composers Ian & Sofia Hultquist on Fashioning “First Monday in May”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”