May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 20, 2025 Cannes 2025 Review: There’s a Method Behind the Madness in Julia Kowalski’s Unnerving “Her Will Be Done”
April 23, 2025 San Francisco Film Festival 2025 Review: A Generation of Young Bosnian Men Race Towards the Future in Ryan Sidhoo’s Inspiring “The Track”
March 4, 2025 True/False 2025 Review: Myrid Carten Finds Blistering Beauty in the Fractured Family Portrait “A Want in Her”
March 2, 2025 True/False 2025 Review: “WTO ‘99” Powerfully Demonstrates the Lasting Impact of a Contentious Protest
March 1, 2025 True/False 2025 Review: Sasha Wortzel’s “River of Grass” Opens Up a Flood of Sensations
March 5, 2024 True/False 2024 Review: A Search for Answers Leads to Fascinating Questions in “Seeking Mavis Beacon”
March 5, 2024 True/False 2024 Review: A City of High-Rises Threatens to Clip an Artist’s Wings in Elizabeth Nichols’ “Flying Lessons”
March 4, 2024 True/False 2024 Review: Lana Wilson’s “Look Into My Eyes” Is a Mesmerizing Portrait of Psychics
March 2, 2024 True/False 2024 Review: A Gloriously Full Picture Emerges in Rachel Elizabeth Seed’s “A Photographic Memory”
March 1, 2024 True/False 2024 Review: Emily Mkrtichian’s “There Was, There Was Not” Is a Bold Act of Narrative Resistance
March 6, 2023 True/False 2023 Review: A Chorus Rises for a Pop Star’s Political Ambitions in “Bobi Wine: The People’s President”
